Forteller Games VO Testimonial:
from Adam Lebenhauer, Narrative Director/Casting Director at Forteller Games
"Adam Huff has all of the trademarks of a wonderful voice actor. Creativity, Professionalism and that certain special combination of willing to push the limits and stay within legible boundaries. His character voices are incredible, the passion he brings to the roles assuage new levels depth to the character that I as a director appreciate. Beyond the obvious creative talent Adam brings with him, he also has an excellent understanding of his equipment and time frames. The quality of audio I receive is always on par with the large studios I work with. He really will bend over backwards to make your project come to life. I have worked with him as a professional on several projects now and I can only say that I want to continue working together on anything that comes across my desk. "
HIR / Shakespeare & Company:
Berkshire Edge, by J. Peter Bergman
‘HIR’ at Shakespeare & Company offers brilliant performances, deft insights
"Huff does well with the military bluster of the Marine. He handles the emotional struggle of the returning prodigal son with much needed humanity...Huff’s final moments in the play are among the great strengths of the piece; never has an emotional breakthrough had so much resonance in so short a time."
Berkshire Eagle, by Jeffrey Borak
HIR is 'absurd realism' at it's best
"Huff is stunning as Isaac..."
Broadway World, by Marc Savitt:
HIR at Shakespeare & Company pushes boundaries in a powerful examination of why people do like they do
"Each member of the strong and well-balanced cast seamlessly shifts through many facets of human emotion with the dexterity and smoothness of a finely tuned European sports car."
Albany Times Union, by Steve Barnes
HIR at Shakespeare & Company
"Huff excels as the seemingly most "normal" of the bunch, still irreparably warped by his family...the cast is uniformly excellent..."
Berkshire Fine Arts, by Charles Giuliano
Transitional Theatre at Shakespeare & Company
"This is the best, worst, most enlightening, controversial, horrendous, terrific/horrific play you will see in a month of Sundays."
DOUBLE FALSEHOOD / Letter of Marque Theater Co.:
New York Times, by Neil Genzlinger:
‘Double Falsehood,’ and Just Maybe a Double Byline
"...the prodigal Henriquez (Adam Huff, whose performance anchors this production admirably)..."
Huffington Post, by Jed Ryan:
A Lost Shakespeare Play Grows in Brooklyn: ‘Double Falsehood’ Comes to New York City
OffOff Online, by Nicole Colbert:
A Game of Treachery
"As the enfant terrible, Huff does an excellent job and resembles a young Johnny Rotten..His nimble, earthy walk and demeanor give him the charm of a snake making its way slowly toward its prey"
The Reviews Hub, by Maridee Slater:
Double Falsehood – The Irondale Center, New York
"Adam Huff (Henriquez, The Duke’s Second Son) wakes the show up with a delightful serenade reminiscent of a young John Cusack in High Fidelity"
Theatre Is Easy, by Sarah Weber:
Double Falsehood
ALL's WELL THAT ENDS WELL / Shakespeare in the Parking Lot:
TheaterPizzazz.com, by Michael Bracken:
All's Well That Ends Well
"Bertram (Adam Huff, deftly handling a difficult role)..."
MoreThanAPlay, by Domenick Danza
All's Well That Ends Well
"Anwen Darcy and Adam Huff are excellent as Helena and Bertram. Their chemistry and attraction is strong. They play the push/pull of Shakespeare’s comic love extremely well. "
CYMBELINE / Stay Awake! Theater:
Greenpointers.com, by Billy McEntee:
Funky Plot and Savory Performances for Shakespeare in the Theater’s Cymbeline
"Played with a disarming smile by Adam Huff, this Pisanio ascends above the archetypal servant...knowing how to just straddle the line between rebellion and fidelity."
THE MERCHANT OF VENICE / Shakespeare in the Parking Lot:
FrontRowCenter.com, by Raphael Badagliacca:
The MERCHANT of VENICE
"Adam Huff gives us a passionate Bassanio; Shakespeare’s words flow naturally for him..."
from Adam Lebenhauer, Narrative Director/Casting Director at Forteller Games
"Adam Huff has all of the trademarks of a wonderful voice actor. Creativity, Professionalism and that certain special combination of willing to push the limits and stay within legible boundaries. His character voices are incredible, the passion he brings to the roles assuage new levels depth to the character that I as a director appreciate. Beyond the obvious creative talent Adam brings with him, he also has an excellent understanding of his equipment and time frames. The quality of audio I receive is always on par with the large studios I work with. He really will bend over backwards to make your project come to life. I have worked with him as a professional on several projects now and I can only say that I want to continue working together on anything that comes across my desk. "
HIR / Shakespeare & Company:
Berkshire Edge, by J. Peter Bergman
‘HIR’ at Shakespeare & Company offers brilliant performances, deft insights
"Huff does well with the military bluster of the Marine. He handles the emotional struggle of the returning prodigal son with much needed humanity...Huff’s final moments in the play are among the great strengths of the piece; never has an emotional breakthrough had so much resonance in so short a time."
Berkshire Eagle, by Jeffrey Borak
HIR is 'absurd realism' at it's best
"Huff is stunning as Isaac..."
Broadway World, by Marc Savitt:
HIR at Shakespeare & Company pushes boundaries in a powerful examination of why people do like they do
"Each member of the strong and well-balanced cast seamlessly shifts through many facets of human emotion with the dexterity and smoothness of a finely tuned European sports car."
Albany Times Union, by Steve Barnes
HIR at Shakespeare & Company
"Huff excels as the seemingly most "normal" of the bunch, still irreparably warped by his family...the cast is uniformly excellent..."
Berkshire Fine Arts, by Charles Giuliano
Transitional Theatre at Shakespeare & Company
"This is the best, worst, most enlightening, controversial, horrendous, terrific/horrific play you will see in a month of Sundays."
DOUBLE FALSEHOOD / Letter of Marque Theater Co.:
New York Times, by Neil Genzlinger:
‘Double Falsehood,’ and Just Maybe a Double Byline
"...the prodigal Henriquez (Adam Huff, whose performance anchors this production admirably)..."
Huffington Post, by Jed Ryan:
A Lost Shakespeare Play Grows in Brooklyn: ‘Double Falsehood’ Comes to New York City
OffOff Online, by Nicole Colbert:
A Game of Treachery
"As the enfant terrible, Huff does an excellent job and resembles a young Johnny Rotten..His nimble, earthy walk and demeanor give him the charm of a snake making its way slowly toward its prey"
The Reviews Hub, by Maridee Slater:
Double Falsehood – The Irondale Center, New York
"Adam Huff (Henriquez, The Duke’s Second Son) wakes the show up with a delightful serenade reminiscent of a young John Cusack in High Fidelity"
Theatre Is Easy, by Sarah Weber:
Double Falsehood
ALL's WELL THAT ENDS WELL / Shakespeare in the Parking Lot:
TheaterPizzazz.com, by Michael Bracken:
All's Well That Ends Well
"Bertram (Adam Huff, deftly handling a difficult role)..."
MoreThanAPlay, by Domenick Danza
All's Well That Ends Well
"Anwen Darcy and Adam Huff are excellent as Helena and Bertram. Their chemistry and attraction is strong. They play the push/pull of Shakespeare’s comic love extremely well. "
CYMBELINE / Stay Awake! Theater:
Greenpointers.com, by Billy McEntee:
Funky Plot and Savory Performances for Shakespeare in the Theater’s Cymbeline
"Played with a disarming smile by Adam Huff, this Pisanio ascends above the archetypal servant...knowing how to just straddle the line between rebellion and fidelity."
THE MERCHANT OF VENICE / Shakespeare in the Parking Lot:
FrontRowCenter.com, by Raphael Badagliacca:
The MERCHANT of VENICE
"Adam Huff gives us a passionate Bassanio; Shakespeare’s words flow naturally for him..."
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